Booking Agent - Entertainment Booking Agents, Concert Management, Corporate Entertainment - Entertainment Resource Group, inc.

Search Artist Now
         THE ENTERTAINMENT BOOKING RESOURCE

Toni Braxton

Toni Braxton

Toni Braxton can be booked through this site. Toni Braxton entertainment booking site. Toni Braxton is available for public concerts and events. Toni Braxton can be booked for private events and Toni Braxton can be booked for corporate events and meetings through this Toni Braxton booking page.

Unlike most middle agents that would mark up the performance or appearance fee for Toni Braxton, we act as YOUR agent in securing Toni Braxton at the best possible price. We go over the rider for Toni Braxton and work directly with Toni Braxton or the responsible agent for Toni Braxton to secure the talent for your event. We become YOUR agent, representing YOU, the buyer.

In fact, in most cases we can negotiate for the acquisition of Toni Braxton for international dates and newer promoters providing you meet professional requirements.

Toni Braxton Biography

Toni Braxton was one of the most popular and commercially successful female R&B singers of the '90s, thanks to her ability to straddle seemingly opposite worlds. Braxton was soulful enough for R&B audiences, but smooth enough for adult contemporary; sophisticated enough for adults, but sultry enough for younger listeners; strong enough in the face of heartbreak to appeal to women, but ravishing enough to nab the fellas. Wielding such broad appeal, Braxton managed to score not one, but two albums that sold over eight million copies; naturally, they were accompanied by a long string of hit singles on the pop and R&B charts, one of which -- Un-break My Heart -- ranks among the longest-running number one pop hits of the rock era.
Braxton was born in Severn, MD, on October 7, 1968. The daughter of a minister, she was raised mostly in the strict Apostolic faith, which prohibited not only all popular culture, but also pants in women's wardrobes. Encouraged by their mother, an operatically trained vocalist, Braxton and her four sisters began singing in church as girls; although gospel was the only music permitted in the household, the girls often watched Soul Train when their parents went shopping. Braxton's parents later converted to a different faith, and eased their restrictions on secular music somewhat, allowing Braxton more leeway to develop her vocal style; because of her husky voice, she often used male singers like Luther Vandross, Stevie Wonder, and Michael McDonald as models, as well as Chaka Khan. Braxton had some success on the local talent-show circuit, continuing to sing with her sisters, and after high school studied to become a music teacher. However, Braxton soon dropped out of college after she was discovered singing to herself at a gas station by songwriter Bill Pettaway (who co-authored Milli Vanilli's Girl You Know It's True ). With Pettaway's help, Braxton and her sisters signed with Arista Records in 1990 as a group dubbed simply the Braxtons.

The Braxtons released a single in 1990 called The Good Life, and while it wasn't a hit, it caught the attention of L.A. Reid and Babyface, the red-hot songwriting/production team who had just formed their own label, LaFace (which was associated with Arista). Braxton became the first female artist signed to LaFace in 1991, and the following year she was introduced to the listening public with a high-profile appearance on the soundtrack of Eddie Murphy's Boomerang. Not only did her solo cut Love Shoulda Brought You Home become a substantial pop and R&B hit, but she also dueted with Babyface himself on Give U My Heart. Anticipation for Braxton's first album ran high, and when her eponymous solo debut was released in 1993, it was an across-the-board smash, climbing to number one on both the pop and R&B charts. It spun off hit after hit, including three more Top Ten singles in Another Sad Love Song, Breathe Again, and You Mean the World to Me, plus the double-sided R&B hit I Belong to You / How Many Ways. With eventual sales of over eight million copies, Toni Braxton's run of popularity lasted well into 1995. By that time, Braxton had scored Grammys for Best New Artist and Best Female R&B Vocal ( Another Sad Love Song ) in 1994, and tacked on another win in the latter category for Breathe Again in 1995.

To tide fans over until her next album was released, Braxton contributed Let It Flow to the Whitney Houston-centered soundtrack of Waiting to Exhale in 1995. Again working heavily with L.A. Reid and Babyface, Braxton released her second album, Secrets, in the summer of 1996, and predictably, it was another enormous hit. The first single, You're Makin' Me High, was Braxton's most overtly sexual yet, and it became her biggest pop hit to date; however, its success was soon eclipsed by the follow-up single, the Diane Warren-penned ballad Un-break My Heart. Un-break My Heart was an inescapable juggernaut, spending an amazing 11 weeks on top of the pop charts (and even longer on the adult contemporary charts). Further singles I Don't Want To and How Could an Angel Break My Heart weren't quite as successful (not that that's an indictment), but that didn't really matter; by then Secrets was well on its way to becoming Braxton's second straight eight-million-seller. In 1997, she picked up Grammy awards for Best Female Pop Vocal and Best Female R&B Vocal (for Un-break My Heart and You're Makin' Me High, respectively).

Toward the end of 1997, Braxton filed a lawsuit against LaFace Records, attempting to gain release from a contract she felt was no longer fair or commensurate with her status. When LaFace countersued, Braxton filed for bankruptcy, a move that shocked many fans (who wondered how that could be possible, given her massive sales figures) but actually afforded her protection from further legal action. Braxton spent most of 1998 in legal limbo, and passed the time by signing on to portray Belle in the Broadway production of Disney's Beauty and the Beast (a role originally held by erstwhile teen queen Deborah Gibson). Braxton and LaFace finally reached a settlement in early 1999, and the singer soon began work on her third album. Heat was released in the spring of 2000, and entered the charts at number two, matching the highest position held by Secrets. Lead single He Wasn't Man Enough was a Top Ten hit (and an R&B chart-topper), although the follow-ups Just Be a Man About It (a duet with Dr. Dre) and Spanish Guitar didn't sustain the album's momentum as well as one might have expected. A brisk seller out of the box, The Heat eventually cooled off around the two-million mark; a disappointing showing compared to her previous efforts, despite yet another Grammy win for Best Female R&B Vocal ( He Wasn't Man Enough ).

In 2001, Braxton made her feature film debut in the ensemble comedy Kingdom Come, and married Mint Condition keyboardist Keri Lewis; by the end of the year, they had a baby boy. Braxton also released her first holiday album, Snowflakes. In early 2002, Braxton appeared in the VH1 movie Play'd, and recorded More Than a Woman for release later that year. The singles Please and That's the Way Love Works (Trippin') announced Braxton's 2005 return with the full-length Libra. ~ Steve Huey, All Music Guide
Written by Steve Huey

Book Toni Braxton here!
Book Toni Braxton for your next event! Would you like to have Toni Braxton perform at your next corporate event, party or concert? Simply fill out the simple interest form below, and we’ll start the booking process.
 
First Name:  
Last Name:
Email:
Phone:
Date Of Event:
(If Known)
Type of Event:  
Est. # of Attendees
City
State / Region

To prevent spam bots, please enter the code you see below in the box provided. Your message will not be sent without this code.





Toni Braxton Booking Agent
HOME | ABOUT US | BOOKING ENTERTAINMENT | CONCERT MANAGEMENT | EVENT PRODUCTION | PAST EVENTS | FAQ'S | NEWS | CONTACT US


Copyright 2000-2024 Entertainment Resource Group, Inc.

Consultation & Artist Info Packages fees are non-refundable. The information provided herein is the latest Artist Responsible Agent contact and historical information available to us. We research to make sure this is the most accurate information available. This information however, cannot be guaranteed due to potential changes in Artist representation or historical fees not yet published in the trade journals (see our www.entertainmentrg.com FAQ’s page for more details). Upon receipt of the information included in the Consultation & Artist Info Package, Buyer agrees that ERG has fulfilled its obligations under this agreement and releases ERG from any and all liability to the maximum extent allowed by law, and will indemnify and hold harmless ERG, its directors, officers, employees, and agents, from and against any and all claims arising from this agreement and subsequent event including but not limited to all third party claims, losses, damages, suits, fees, judgments, costs and expenses (collectively referred to as 'Claims'), including attorneys' fees incurred in responding to such Claims, that the parties may suffer or incur arising out of or in connection with (a) a party’s negligence, willful misconduct, or breach of any representation, warranty, or other obligation under this Agreement, or (b) any personal injury (including death) or damage to property resulting from a party or its agents' acts or omissions and standard force majeure. The parties will give prompt notice of any Claim to the other party, and the parties will defend the opposing party at their request. This Agreement will be governed by, construed and enforced in accordance with the laws of the State of NEVADA.